Animal Experimentation Essays - Animal Welfare, Animal Testing

Animal Experimentation Essays - Animal Welfare, Animal Testing Animal Experimentation Use medicines that were tested on animals, or die? With the discovery of new medicines physicians, based on their research,we can predict the possible outcome or effect the medicine may possibly have. However, success is not guaranteed. Experiments must be done, but on whom? There is only a limited amount of reliable testers that scientist may use to conduct their experiments. Two of the most reliable testers include humans and animals. For many centuries scientists have experimented on animals, and it is still being done in order to maintain a healthier human population (Dixon). New medicines are being discovered throughout the year, and billions of lives are also beings saved thanks to the development of medicines discovered. Animals have helped our society grow and prosper. If it were not for them, the sick would not regain their health. Although many people do not agree with experimentation on animals, we should continue to test on animals in order to find a cure for diseases. From a baby to an adult, animal testing is used in everyday products (to the Pampers babies wear, to the Johnson and Johnson babies are washed with). In fact, there are an estimated 30 million animals used in experiments for our everyday products (?Update: Animal Testing?). According to Issues According to Thomas Dixon, the ?reduction of human suffering is our first priority and the prevention of animal suffering or death is secondary to that (although still important)? . Although animal testing is a good investment to our future, many people think of it as cruel and unusual punishment and are determined to put a stop to it. People like Thomas Dixon argue animals ?have the rights to be treated as beings of value in themselves, not as the means to human ends?. While some despise the idea of testing on animals, others urge animal experimentation to continue if it is the means to greater ends to human suffering. According to Cosmetics International, ?Certain [industries] have announced that they have stopped all animal testing, while others claim to be doing very little? (French say no). Not only are national cosmetic industries putting a stop to animal testing, but many animal right groups are also. Protesters claim that animal testing is a vile way to advance knowledge (?Animal Testing?). They also say that ?humans should treat animals with respect? (Update: Animal Testing). Even though people strongly disagree that animals are needed to be tested for the benefit of mankind, it is unavoidable. Despite the fact that some industries have put a stop to it to test their products, many scientists will still co ntinue to test on animals if the results will create a healthier life for all humans in the near future. Even though protesters argue that animals are not the only available option for testing, scientists disagree. According to most scientists, there is not a wide variety of substitutions to animal testing (?Update: Animal Testing?). Until there is an alternative to a possible tester, animals are our only option. Many people agree that the use of animals is lamentable but inevitable. There is a vast majority of societies that still continue to eat and wear animal products, including milk, eggs, meat, leather shoes, and belts (?Animal Testing?). Many of these individuals may not consider giving up these everyday products even if it means saving animals? lives, so why should there be a stop to animal testing if there is a

The Meaning and Impact of Linda Nochlins Feminist Art Criticism

The Meaning and Impact of Linda Nochlin's Feminist Art Criticism Linda Nochlin was a renowned art critic, historian, writer, and researcher. Through her writing and academic work, Nochlin became an icon of the feminist art movement and history. Her best known essay is titled Why Have There Been No Great Women Artists?, in which she examines the societal reasons that prevented women from gaining recognition in the art world. Key Takeaways Nochlins essay Why Have There Been No Great Women Artists? was published in 1971 in ARTnews, a visual arts magazine.Written from an academic perspective, the essay became a pioneering manifesto for the feminist art movement and feminist art history.Through her academic work and her writing, Nochlin was instrumental in changing the language that surrounds the way we speak of artistic development, paving the way for many of those outside the norm, not just women, to find success as artists. Personal Life Linda Nochlin was born in 1931 in Brooklyn, New York, were she grew up an only child in a wealthy Jewish family. She inherited a love of the arts from her mother and was immersed in New York’s rich cultural landscape from a young age. A volume of Nochlins writing in which her famous essay appears.   Courtesy burlington.co.uk Nochlin attended Vassar College, then a single-sex college for women, where she minored in art history. She pursued a Master’s in English literature at Columbia University before completing doctoral work in art history at the Institute of Fine Arts at New York University while also teaching as a professor of art history at Vassar (where she would teach until 1979). While Nochlin is most famous for her role in feminist art history, she also made a name for herself as a scholar with wide academic interests, writing books on subjects as diverse as realism and impressionism, as well as several volumes of her essays originally published in various publications, including ARTnews and Art in America. Nochlin died in 2017 at the age of 86. At the time of her death she was a Lila Acheson Wallace professor of art history emerita at NYU. â€Å"Why Have There Been No Great Women Artists?† Nochlin’s most famous text is the 1971 essay, originally published in ARTnews, titled â€Å"Why Have There Been No Great Women Artists?,† in which she investigated the institutional roadblocks which have prevented women from ascending to the top ranks of art throughout history. The essay is argued from an intellectual and historical angle, rather than a feminist one, though Nochlin did secure her reputation as a feminist art historian after the publishing of this essay. In her writing, she insisted that the investigation into the inequity in the art world would only serve the arts as a whole: perhaps an interest in why women artists have been systematically excluded from the art historical canon will prompt a thorough investigation into the contexts of all artists, resulting in a more authentic, factual, and intellectually rigorous assessment of art history in general. Characteristic of Nochlin as a writer, the essay methodically lays out an argument to answer the titular question. She begins by insisting on the importance of her essay, in order to assert an â€Å"adequate and accurate view of history†. She then launches into the question at hand. Many feminist art historians, she argues, will try to answer her question by insisting it is predicated on false claims. Indeed, there have been great women artists, they just have produced in obscurity and have never made it into the history books. While Nochlin agrees that there is not nearly enough scholarship on many of these women, the possible existence of female artists that have reached the mythical status of â€Å"genius,† simply would state that the â€Å"status quo is fine,† and that the structural changes that feminists are fighting for have already been achieved. This, Nochlin says, is untrue, and she spends the rest of her essay outlining why. â€Å"The fault lies not in our stars, our hormones, our menstrual cycles, or our empty internal spaces, but in our institutions and our education,† she writes. Women were not permitted to attend live drawing sessions from a nude model (though women were permitted to model nude, an assertion of her place as object and not as self possessed maker), which was an essential chapter of an artist’s education in the 19th century. If not permitted to paint the nude, the few women painters that existed were forced to resort to subjects that were lower in the hierarchy of value assigned to different genres of art at the time, that is, they were relegated to painting still lives and landscapes. Add to this an art historical narrative that values the rise of innate genius and the insistence that wherever genius resides it will make itself known. This type of art historical myth making finds its origins in the biographies of such revered artists as Giotto and Andrea Mantegna, who were â€Å"discovered† tending flocks of livestock in the rural landscape, as close to the â€Å"middle of nowhere† as can be. The perpetuation of the artistic genius is detrimental to the success of female artists in two significant ways. First, it is a justification that, indeed, there are no great female artists because, as is implicitly stated in the genius narrative, greatness makes itself known regardless of circumstance. If a woman possessed genius, her talent would best all adverse conditions in her life (poverty, social duties, and children included) to make her â€Å"great.† Second, if we do accept the ex nihilo genius story, we are not inclined to study art as it exists in context, and therefore are more prone to ignoring important influences (and therefore, more inclined to discount the other intellectual forces surrounding an artist, which may include female artists and artists of color). Of course, there are many life circumstances that make the road to becoming an artist more straightforward. Among them is the custom that an artist profession is passed from father to son, making the choice to be an artist a tradition rather than a break from it, as it would be for women artists. (Indeed, a majority of the most famous pre-20th century women artists were the daughters of artists, though they are, of course, notable exceptions.)   Regarding these institutional and social circumstances as the situation that artistically-inclined women are up against, it is no wonder that more of them have not ascended to the heights of their male contemporaries. Reception Nochlin’s essay was widely acclaimed, as it provided the foundations on which to build alternative understandings of art history. It certainly provided the scaffolding on which other seminal essays such as Nochlin’s colleague Griselda Pollock’s â€Å"Modernity and the Spaces of Femininity† (1988), in which she argues that many women painters did not ascend to the same heights of some other Modernist painters because they were denied access to the spaces best suited to the Modernist project (that is, spaces like Manet’s Folies Bergà ¨re or Monet’s docks, both places from which single women would be discouraged). Artist Deborah Kass believes that Nochlins pioneering work made women’s and queer studies possible (ARTnews.com) as we know them today. Her words have resonated with generations of art historians and have even been emblazoned on T-shirts produced by upscale French fashion label Dior. Though there is still a great disparity between the representation of male versus female artists (and still a greater one between women of color and white female artists), Nochlin was instrumental in changing the language that surrounds the way we speak of artistic development, paving the way for many of those outside the norm, not just women, to find success as artists. Sources (2017). ‘A True Pioneer’: Friends and Colleagues Remember Linda Nochlin. ArtNews.com. [online] Available at: artnews.com/2017/11/02/a-true-pioneer-friends-and-colleagues-remember-linda-nochlin/#dk.Smith, R. (2017). Linda Nochlin, 86, Groundbreaking Feminist Art Historian, Is Dead. The New York Times. [online] Available at: https://www.nytimes.com/2017/11/01/obituaries/linda-nochlin-groundbreaking-feminist-art-historian-is-dead-at-86.htmNochlin, L. (1973). â€Å"Why Have There Been No Great Women Artists?†Ã‚  Art and Sexual Politics, Collier Books, pp. 1–39.

Management of Personal financial services. China case study Essay

Management of Personal financial services. China case study - Essay Example Customer Relationship Management (CRM) in financial services has become utmost important because of the present challenging marketing environment. Presently, the company differentiate themselves by delivering exquisite customer experience and offer product, which are unique, tailor-made for delivering customer satisfaction. By delivering highly innovative financial products for core banking, insurance and wealth management, the company would be able to develop meaningful relationship with its customers. Often termed as relationship marketing in China, it is also focuses on customer retention. CRM also helps in laying emphasis on the product features, which highlights the product benefits that are meaningful and necessary for the customers. The Chinese investment banking companies rely on the strength of the financial services that help the banks to make tailor-made financial products for customized customer requirements. Although, CRM is relatively a new concept, it entails the diffe rent marketing approaches involved in obtaining the refined customer information search, which helps the management to attract potential customers (Besson, 2000). The CRM activities in the financial institutions involve the incorporation of electronic business activities, relationship and customer management activities, and integration of customer centric strategy with the back office or front office executives (Carson, 2005). The main crux of CRM activities involves building of long term and healthy relationships to retain customers in the competitive financial environment. 1.2.1 Customer Relationship Management in Chinese Financial Institutions The long term relationship building process with the Chinese customers has not only become an enduring strategy for relationship building, but it has also augmented for customer loyalty and retention. It was observed in Chinese banking that due to the financial implications there was a strong correlation between customer loyalty and profitability of the bank. The deregulation and emergence of new banking technology in the financial services industry have also